Apple’s new flagship product, the iPad, was only just released in countries outside the USA last Friday, and I was fortunate to get my hands on one on launch day. Like many Apple products, this one has divided people, with a lot of people decrying it as a device looking for a purpose, a device that falls between two stools (not as portable as a phone, not as functional as a laptop), a device that is stifled within Apple’s walled garden.
Our rampantly consumerist world has many facets, pros and cons to it, but one thing has so far been perceived as a universal constant - the quest for the ‘next big thing’. That one product, or class of product, that every man, woman and small furry creature from Alpha Centauri wants to get their hands on. In the technology world, analysts have long since been riding the gravy train of purporting to be able to peer sagely into this murky future in order to extract those world-changing gems that everyone would be invested in.
Yesterday saw world-plus-dog in the technology sector glued to Apple’s announcement of their new tablet device, which has now been officially dubbed the iPad. Basically, when you boil it down it’s a super-sized iPod Touch with optional 3G support and a few more apps. Reaction has ranged, as usual, from the ecstatic “I’ve seen the face of God, and his name is Steve”, to “What a useless piece of junk”, stopping at most points in between.
Microsoft Songsmith is a research project that generates accompanying music to a singer’s voice (and optionally instruments), presumably using the same approach a chromatic tuner uses to identify notes. Some genius decided to feed Radiohead’s classic song “Creep” into it, to see what it would do. This is the simultaneously horrifying and incredibly funny result: Jump to 1:55 for the ultimate effect. Oh, the humanity. Edit: click here for more musical attrocities.